LondonTown the Third: In which I ignore all history but U.S. history, shun shopping malls, and gawk at celebrities...Am I still in London?
On the way to the British Museum (of Plundered Booty), I discovered that I'm all over London.
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Oooh, this thing was cool:
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When Mr Hargreaves said, "Now if you'll just follow me, I'll show you what's probably the most famous rock in the world," I thought it was the Hope Diamond or something, so I got all excited, whipped out my digi and took this:
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Here is the real Rosetta Stone:
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Covent Garden, with weird Londoner.
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What was open, however, was the shop, so I bought some London Underground merchandise before walking around Covent Garden.
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Which, by the way, is a mall. They don't tell you that in the brochures. Today a waitress told me, "It's just like Faneuil Hall in Boston." I wish I'd known that earlier. I must have walked back and forth across it three times saying to myself, "Is this it?" If you want to shop, or for some reason, have Italian food, Covent Garden is for you. It was not for me. I couldn't even find a chip shop, settling for Garfunkel's. Don't ask. Although I had a delicious cider called Scrumpy Jack. Even now that makes me titter.
But Max, if you hate shopping so much, how come you bought so much crap at all those gift shops? Frankly, I'm as surprised as you are. Buying things is my least favorite thing to do on holiday. But on the other hand, I don't much like buying things in real life either, and here I've budgeted so much to spend, so I might as well spend it on something I can take home, right? Plus most of the stuff will either make my apartment look better or my classroom work better, so . . .
And also I'm not spending nearly as much on booze with the serving stopping at 11.
One thing Covent Garden does have is really good street performers. Again, why don't I mind ponying up in London when at home I freeload? I'd like to say it's because the show is better (and it was, I mean, sexy operatics, street acrobatics, Chaplinesque slapstick) but really it's because it's like play money. Quid? Come on.
After lunch I found myself in a huge intersection with overwhelming architecture that I soon found out was Trafalgar Square. Nelson's Column, however, is wrapped in scaffolding for repair. There wasn't a good picture to be had.
Anyways, on to the Ben Franklin House at 36 Craven Steet. I was really psyched about this one, as it just opened in January (on his 300th birthday) and is the only surviving residence of his in the world.
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No gift shop yet. Bad call.
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Tonight, rather than the original plan of clubbing in Brixton (I really had no idea where to go, and a former resident warned me against it) I decided to wait in line for what turned out to be the hottest ticket in town. The day I got here I dutifully picked up a copy of TimeOut and flipped through the theatre listings. Turns out I've either seen it (Producers, Les Miz, Phantom, Sunday in the Park with George) or I have zero desire to (We Will Rock You, Billy Elliot, Blue Man Group). So I unknowingly went to two shows in previews. See, I had thought theatre started in London and moved west through New York to L.A. Actually, it starts in New York and spreads out all over the world from there. Avenue Q I got the last available ticket, and for tonight's show I waited in the return line for forty minutes before I got one in the balcony.
Theatre in London, by the way, is nothing like theatre in L.A. The houses are smaller, and the patrons are drunk and noisy and excited. They actually WANT to be there. I can see why, if the only musicals you'd ever seen were in high school or in some place other than NY or London, you would think musical theatre was stupid. But see it packed in, leaning over the stage, and it comes to life.
So what did I see? Rock and Roll, a new play by Tom Stoppard (Rosencranz and Guildenstern are Dead, Shakespeare in Love, Empire of the Sun(?!)) with Brian Cox (Rushmore, Super Troopers) and Rufus Sewell (Dark City, The Legend of Zorro). It's a historical sweep from the late 60s to the early 90s, revolving around a Czech rock band (The Plastic People of Universe) and a Communist professor's family in Cambridge. Syd Barrett and Vaclav Havel, theory v. practice of my favorite political philosophy, age wigs, what's not to like? (I was a little confused why the actors were speaking with an English accent in some scenes and a Czech one in others, but I figured it out eventually.) And I thought it was cool that the program included a copy of the script.
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I have one more day in London to blog, so maybe I'll get to it during the exit procedures for the flat. If not, there will be plenty of time in Monterey. I realized this trip works out great for me (crazy friends trip, followed by solo cultural walking tour of world capital, followed by week of relaxation and inspiration by the beach) but might be somewhat anti-climactic as literature. I'll try to keep it interesting, and you only have to stay tuned for one more week, so...
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